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Corra Films is an award winning full-service NYC storytelling studio that creates branded content & feature documentaries about real people. View some of our past press.

November 9, 2011 – Luke Baumgarten, Pacific Northwest Inlander

“Awash in powerful moments of visual lyricism, it plays out less like a documentary than a prose poem to seeking and not finding.” Read full article

Inlander

September 7, 2011 – Gregg Rickman, SF Weekly

“Hollywood will continue to rain bad romantic comedies, dumb action movies, and shameless Oscar fodder on our complaining but compliant heads. Discerning moviegoers still have alternatives.” Read full article

SF Weekly

August 30, 2011 – Michael Atkinson, Boston Phoenix

“An investigative doc brimming with cultural resonance and historical savvy…” Read full article

Boston Phoenix

April 4, 2011 – Chris Vognar, Dallas Morning News

“Three movies worth seeing at the Dallas International Film Festival.” Read full article

dallas-morning-news

April 26, 2011 – Candace Breiten

“The filmmakers never try to force their viewpoints or ideas on the viewers; they try to present the facts and allow the viewer to draw his or her own conclusion.”-Read full article

college-movie-review

April 5, 2011 – Kris Boyd, Think! on NPR

“A film that poses many more questions than it ultimately answers.” Listen to podcast

NPR

February 9, 2011 – Aramis Ross, The Source

“No single year better exemplifies this tumultuous and productive period than 1977…A cool movie detailing actual experiences and stories.” Read full article

The Source

February 9, 2011 – Marc Campbell, Dangerous Minds

“A terrific documentary that captures a pivotal moment in the history of a city and its pop culture. Here’s the whole beautiful mess.” Read full article

dangerousminds

January 19, 2011 – Basil Tsiokos, The Documentary Blog

“Documentaries to look out for in 2011″ Read full article

documentary-blog

November 2010 – Megan Ratner, Bright Lights Film Journal

“Corra misses none of the mixed feelings of the participants, capturing the frustration and exhaustion of their efforts.” Read full review

brightlights

October 27, 2010 – Marc Leepson, HistoryNet

“Riveting…a first-rate production.” Read full review

historynet

October 15, 2010 – Caitlin Moore, Austinist.com

“Top 5 Documentaries, Austin Film Festival” Read full article

austinist

September 23, 2010 – Metromix Hudson Valley

“10 Films to see at the Woodstock Film Festival…An amazing trip that brings you into the darkness and takes you back out of it.” Read full article

metromix

September 17, 2010 – Jay Blotcher, Chronogram Magazine

“Best of the Fest, Woodstock 2010.” Read full review

chronogram

August 12, 2010 – Josh Rosenblatt, Texas Observer

“As full of emotion, pathos, guarded contrition and genuine ambivalence as any great war movie.” Read full review

texas-observer

July 9, 2010 – Marc Leepson, VVA Arts of War

“A first-rate production. The cameras bore in on the faces of the film’s players relentlessly and effectively. The story spins out slowly and picks up steam every step of the way.” Read full article

Vietnam Vets

July 7, 2010 – Enrico Cullen, Media Rights

“Perhaps more than any other war film I have seen, it lingers on what I suspect might be true for more than a few soldiers: an ambiguous emotional relationship to violence.” Read full article

Media Rights

July 6, 2010 – Stewart Nusbaumer, Huffington Post

“A riveting documentary, not a straight line, not always simple to follow, and don’t expect a Hollywood ending. After all this is Vietnam.” Read full article

HuffPo

June 30, 2010 – Ashley Wren Collins, Huffington Post

“Few modern filmmakers have the guts to craft a story that trusts the intelligence of an audience and the integrity of a story, leaving viewers with more questions than answers.” Read full article

HuffPo

June 24, 2010 – Cynthia Fuchs, Pop Matters

“Examines the complexities of documentary as a genre, complexities on display throughout the 2010 Silverdocs program.” Read full article

Pop Matters

June 23, 2010 – Matthew Siblo, DCist

“The combination of hope and resignation McKinley’s loved ones have faced now for almost 40 years is palpable every moment they’re on screen.” Read full article

DCist

June 22, 2010 – Collin Parker, Examiner.com

“Instantly one of the most moving and utterly compelling documentaries of recent years.” Read full article

Examiner

June 22, 2010 – Eddie Cockrell, Variety

“A thriller punctuated with hauntingly edited images of period conflict footage… provocative mix of docu and experimental film…a long and winding road into a sad heart of darkness.” Read full article

variety

June 21, 2010 – Alan Nieschwietz, Brenham Banner Press

“Questions still linger for the family of McKinley Nolan…Unlike most of the nearly 60,000 men who never came home when the Vietnam War ended, Nolan chose to stay.” Read full article

Brenham Banner-Press

June 19, 2010 – Tony Lystra, The Daily News

“More than anything, the movie is about atonement…for the Vietnamese and Cambodians who knew McKinley Nolan, it’s trying to somehow make up for the violence that tore through their countries.” Read full article

The Daily News

March 10, 2010 – Lee Foley, Hulu Blog

“There have been many studies and documentaries dedicated to autism and Asperger’s Syndrome, but few of them try to capture what George does.” Read full article

Hulu

March 9, 2010 – Daniel Barnum-Swett, Gawker

“The struggle between family and identity defined the lives of the three twentysomethings…all united in their quest to balance antiquated upbringings and their ‘real world’ dreams.” Read full article

Gawker

August 19, 2008 – Jay Cheel, The Documentary Blog

“Manages to find a perfect balance, giving documentary enthusiasts an interesting look at the Maysles filmography while simultaneously crafting an engaging family drama.” Read full article

documentary-blog

April 25, 2008 – AJ Schnack, All These Wonderful Things

“Almost essential viewing for nonfiction aficionados, pulling back the curtain on the most successful partnership in nonfiction filmmaking history.” Read full article

Wonderful Things

March 11, 2008 – Tom Roston, New York Observer

“The younger set of documentary filmmakers need their icons to emulate or tear down, and the Maysles brothers have fit the bill.” Read full article

New York Observer

December 12, 2007 – Danielle Beverly, Variety

“One of the most talked about documentaries at IDFA…bound to raise debate in the industry about who owns the life of someone else.” Read full article

variety

November 27, 2007 – Brian Brooks, IndieWire

“A provocative new first person documentary by a member of the Maysles family.” Read full article

indiewire

October 1, 2007 – Terry Matthew, 5 Magazine

“Astonishingly dead-on…one of the best docs I’ve seen in a long time.” Read full article

5 Magazine

August 11, 2007 – David Hinckley, New York Daily News

“1977 has become a breakout star, a watershed in city and American history. It’s as if after 30 years we’ve chipped away the oyster shell and found a pearl.” Read full article

NYDN

August 9, 2007 – Linda Stasi, New York Post

“A wild love letter to the city…TIVO it, and watch it again and again – you won’t want to miss a minute of the year.” Read full article

nypost

August 8, 2007 – Brian Lowry, Variety

“Adopts an appropriately irreverent tone in exploring cultural trends that sprouted in the city during that tumultuous year.” Read full article

variety

July 31, 2007 – Will Hermes, The Village Voice

“Fresher, less manicured…allows the music to take its proper place in the larger story of the city.” Read full article

villagevoice

March 10, 2006 – Jessica Reaves, Chicago Tribune

“A heartfelt, moving documentary…not primarily concerned with politics but with the people at the heart of it.” Read full article

chicagotribune

September 2, 2005 – Daniel Saney, Digital Spy

“Excellently informative and comprehensive about its subject matter…affects the heart and mind in equal measure.” Read full article

DigitalSpy

July 25, 2005 – Dennis Harvey, Variety

“Sets a standard that will be hard to match.” Read full article

variety

June 28, 2005 – Joel Dossi, After Elton

“For the filmmakers, Same Sex America’s even-handedness in covering both sides of the issue is pivotal.” Read full article

AfterElton

June 24, 2005 – Linda Stasi, New York Post

“Whatever side of the er, aisle, you’re on this one, Same Sex America may open your eyes to the pros, if not to the cons.” Read full article

nypost

April 22, 2005 – Natasha Theobald, EFilmCritic

“Blazing pace and an enormous heart.” Read full article

E Film Critic

March 28, 2001 – Richard Linnett, Advertising Age

“When you’re just trying to capture reality, you don’t need scripts, you don’t need concepts, you don’t need agency overhead…Henry gets that.” Read full article

AdAge

October 30, 2000 – Stuart Elliott, New York Times

“Gateway, which proclaims it eliminates the middleman by selling computers directly to consumers, has done the same with its advertising.” Read full article

newyorktimes

Amy Taubin, Village Voice

“Exceptionally moving and intelligent…in fact, the film is about how we define normalcy.”

villagevoice

July 19, 2000 – Linda Wertheimer, NPR

Interview with Henry and George Corra – Listen to full audio

NPR

July 10, 2000 – Ron Wertheimer, The New York Times

“Coalesces into a moving study of the boy, his family and his condition. The more you know, the more you care. The more you care, the more your heart will break.” Read full article

newyorktimes

March 6, 1994 – Howard Feinstein, Variety

“A highly original and structurally flawless collaboration…An ambitious documentary about an ambitious environmentalist arts project, “Umbrellas” unfolds as an increasingly suspenseful drama.” Read full article

variety